Method Editing: Cutting in Character

by Paddy Bird on
August 13, 2020

We’ve got a great episode for you this week. A question I get asked so often by many editors is "How do you watch a sequence dozens of times and still have the same enthusiasm and emotional distance from it to make it perfect?” This is a very difficult issue for so many editors and it certainly was for me in the early days of my career.

In this episode I talk through a trick that I picked up and adapted from my days spent studying method acting. This mental technique allowed me to conquer the very problem of watching something so many times over and not become burnt out by the footage. It’s a really interesting subject and I dive deep into the history and psychology around it in this week’s show.

Also, tune in to find out who won our special Eddie Hamilton competition which I announce at the end of the show!

Method Acting

In this week’s episode I talk about my attempt to become an actor in the mid 90’s before I caught the editing bug. I studied with Jack Waltzer, one of the legends of method acting who taught people like Dustin Hoffman and Sigourney Weaver.

Method acting was a system first developed by Konstantin Stanislavski, the Russian theatre practitioner, who used it as a way to get actors to experience the role so that all of the hundreds of body language behaviours that they broadcast to the audience looked genuine.

Diagram of Stanislavski's 'System'

What am I Watching?

Tracks Featured in This Episode from Universal Production Music

Track 1: Voyage Spectacular

Time: 0.02
Composer: Rob Lane
Publisher: Abbey Road Masters
Album: Voyage Spectacular
View Track

Track 2: Graceful Wings

Time: 23:03
Composer: Al Lethbridge
Publisher: Atmosphere Music Ltd
Album: Inspiring Worlds
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Track 3: Dawn Beauty

Time: 25:25
Composer: Laurent Dury
Publishers: Koka Media, Universal Publishing Production Music France
Album: Suspended Beauty
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Track 4: A Single Teardrop

Time: 25:48
Composer: Dave Hewson
Publisher: BBC Production Music
Album: Solo Piano - Sad And Nostalgic
View Track

Track 5: Changing Water

Time: 26:09
Composers: Philippe Guez, Yoann Guez
Publisher: Kapagama
Album: Observational - Acoustic Beds
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Track 6: Spiders Have Secrets

Time: 33:13
Composer: Rob Lane
Publisher: Abbey Road Masters
Album: The Fantasy Orchestra
View Track

Track 7: Kick Back Relax

Time: 37:33
Composer: Nathaniel Reeves
Publisher: Focus Music (Publishing) Ltd
Album: Lo-Fi Chill
View Track


The Power Of Music Editing: Part 2

Saturday, Feb 12, 3PM GMT

We’re really excited to announce Part 2 of our Music Editing Bootcamp. The number one skill that high end clients ask for more than any other is the ability to skilfully score sequences. It’s a complex art form within the art of editing and requires deep and intense analysis in order to master it.

We created the foundations of musical editing theory in Part 1 of our Bootcamp series by studying musical structure, tonality, assignment and tempo. Now, it’s time to go more in depth and look at the techniques used in pro edit suites around the world.

This is why we’ve developed a series of 2 hour, live Bootcamps dedicated to mastering this little known part of the art of editing.

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Yes, the best time of the year to grab bargains is back! From Friday 26th November you’ll be able to get your first membership at a huge discount or upgrade your current membership for a fraction of the price.

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Free Taster Course: MFA Craft Editing

26 July - 5 August 2021
16-26 August 2021

This taster course will give you hands-on experience of the MFA Craft Edit Masters, the industry's first professional editing course where the focus is on the art form rather than the software or technology.

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Mon 9 Aug – Sat 14 Aug 2021

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Are you Drowning in a Sea of Technical Editing Courses?

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