This week’s episode of Once Upon a Timeline is a fascinating and reflective dive into the mind and what it takes to become an editing artist. I’ve always been intrigued as to how we learn, how our creative abilities are built and how they converge with the tools we use for artistic expression.
Through cultivating different memory systems in our mind we take on the creative influences of those around us, mix them with repetitive action and give ourselves the ability to sign our own artistic signature on any project that we’re working on.
But how does this all work? What are the different types of memory that we utilise on our journey? And what are the things that can either hold us back or set us free on the path to becoming a high end editing artist? Find out in this week’s episode of Once Upon a Timeline.
Picasso’s Rule on Artistry
Taking inspiration from one of the greatest artists of all time… The synthesis of explicit and implicit memories.
This Week's Competition
We're giving away our first piece of Inside The Edit merchandise to one lucky winner. Our beautifully designed Editor's Periodic Table Film Poster is perfect inspiration for any cutting room. Just email us your answer to the question below.
What am I Watching?
Track 1: The Waiting Room
Composers: Frank Cordell, Jake Wherry, Ollie Teeba
Publisher: Chappell Recorded Music Library Ltd
Album: Vol. 3: The Herbaliser
Track 2: Fairy Harp
Composer: Frederic Sans
Album: Fairy Tales
Track 3: Rise To The Occasion
Composers: Assaf Rinde,Simon Ward
Publisher: Universal Trailer Series
Album: Remixed Eternal Hero
Track 4: Endless Sun
Composer: Elliot Sivad
Publisher: Focus Music (Publishing) Ltd
Album: Poolside House